Monday, June 1, 2009

Camera Phone: Part 1 of . . . ?



I've been toying a lot lately with the idea of whether or not to include photographs I take with my phone into my stream of blog posts. Consider this one an experiment.

Would love to hear your thoughts in the comment section.

To see more of my work visit my commercial photography website.

Wednesday, May 27, 2009

Chihuly Glass

Chihuly: The Nature of Glass is the traveling art installation of Dale Chihuly that is currently nearing the end of its term here in Phoenix at the Desert Botanical Garden.

This long exposure night photograph is HDR processed using the highlight and shadow detail from separate multiple bracketed images. This process allows images to display a wider range of highlight and shadow detail than can be captured by a camera's chip in single exposure.

To see more of my work visit my commercial photography website.

Tuesday, May 5, 2009

Enough Speedlights and Kids; Not Enough Time

I had an idea for this picture and this isn't it. You see, I ran out of time. Gee, does that ever happen to photographers?!? Naaaahhhh! ;-)

In my minds-eye I pictured the red light on the background, hard side lighting coming from slightly behind the children, and an underexposed fill light to open up the shadows. I barely got the background and side lighting set up when I heard grandparents starting to say their 'good-byes' - I knew I was out of time.

The biggest problem I still had to solve was adding the fill light for the children which had to be completely blocked from contaminating the red light on the background (the red would have turned pink if contaminated by white light). I knew the exercise of blocking the fill light was going to take some creative thinking and unfortunately I now no longer had the luxury of time.

The result? No fill light. But I couldn't use the edge lights where they were because since they were behind the children there was only an edge light on them and no frontal detail. So my lightning fast solution was simply to pull the edge lights from behind to in front of the kids and cross-light them. This gave me enough light to reveal their faces but at the expense of very hard shadows.

Oh well - time was not on my side and even though my solution was less than perfect, I was still able to get a shot I could use (albeit not exactly what I had in mind). You gotta be able to think on your feet and change directions pretty quickly as a photographer - the world won't hold still for you, that's for sure.

To see more of my work visit my commercial photography website.

Saturday, May 2, 2009

3 Speedlights; 1 Softbox

I have been very interested in all types of light modifiers for a long time now. Despite having a small army of snoots, grids, gobos, umbrellas, gels, etc. the one big hole in my lighting inventory was a softbox . . . well, at least until now.

But the problem with softboxes is they are designed to be mounted to big powerful monolights using special speedrings, not my small portable Speedlights. So after some thought I devised a way to mount and use 3 Speedlights with 1 softbox.

Paul Morton (mortonphotographic) and I made this short video tutorial showing how to accomplish this.



To see more of my work visit my commercial photography website.

Wednesday, April 29, 2009

Plays with Fingers; Runs with Scissors

So, riding high on the self-portrait post from last night [interpretation: no better photos to post] I decided to put up one more.

I am loving my new softbox and have been experimenting a lot with it. This tool will fast become a very valuable piece of lighting equipment.

Strobist Info:
3 SB800's fired at 1/32 power into a 3'x4' softbox directly overhead with a silver reflector on the floor directly in front

To see more of my work visit my commercial photography website.

Tuesday, April 28, 2009

Glasses: Eyeball Shrinking Distortion

It has been quite a long time since I've been up to my old antics of being the last one awake at night playing with my photo gear.

The further I pulled my glasses from my face the smaller my eyes appeared but it became difficult to keep them centered when they got too far from my face. I could imagine an entertaining portrait series like this . . .

Tonight's portrait is thanks to my newest toy - a big 'ol softbox.

Strobist Info:
3 SB800's fired at 1/32 power into a 3'x4' softbox directly overhead

To see more of my work visit my commercial photography website.

Monday, April 27, 2009

Coyote Buttes - Paria Canyon, Arizona: Part III

On the last day of our camping trip at Coyote Buttes, we visited White Pocket (pictured immediately above). As with this entire area, White Pocket was unique and amazing.

To see more of my work visit my commercial photography website.

Friday, April 24, 2009

Coyote Buttes - Paria Canyon, Arizona: Part II

Here are a few more from my Coyote Buttes camping trip. I hope you enjoy these.

Coyote Buttes - Paria Canyon, Arizona: Part I

If you ever have the opportunity to visit the desert Southwest, specifically areas near the Arizona/Utah border, take it! What an amazing place! This area is a natural wonder in every way.

I just returned from a week of camping near Coytote Buttes - what a breathtaking place. Two of the days we hiked in areas that require permits but only a maximum of 20 permits are issued per day! Amazing to have such solitude in such an amazing place!

Stay tuned . . . I will post a few more photos when I get a chance . . .

To see more of my work visit my commercial photography website.

Tuesday, April 14, 2009

Excited About Lighting Workshop

I enjoy photographing interiors. They weren't something I planned for - more just sort of accidentally stepped into shooting them. For you Strobist readers you may remember a post about Scott Hargis - well that one stuck out in my mind because of the similarity to the work I had been doing with interiors (like the one above).

I am excited to say that I am taking the Interiors Lighting Workshop this Saturday offered by Scott Hargis and Thomas Grubba. I am very excited to be taking my interior lighting to the next level. Stay tuned, I will post an image or two from the workshop . . .

Strobist Info:
2 SB800's high on stands camera-left and bounced off (high) ceiling.
1 SB800 outside low aimed up at red wall
1 Vivitar 285 outside low aimed up at the orange wall

To see more of my work visit my commercial photography website.